Theatre Critic and Journalist


What’s the secret of a good theatre programme?

Posted on May 12, 2011 in Opinion | 0 comments

Published on the Guardian Theatre Blog, 12.05.2011 You can say this about Sean Holmes: he’s not a man to go back on his word. When he...

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Review: Kingdom of Earth, The Print Room

Posted on May 8, 2011 in Criticism | 0 comments

If you’re going to play with flawed texts, you need to know how to play script doctor. Director Lucy Bailey, whose fringe venture The...

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Thoughts on In Eldersfield Chapter 1: Elegy for Paul Dirac, SPILL FESTIVAL

Posted on May 4, 2011 in Criticism | 2 comments

“In Eldersfield is a decade-long, ten chapter cycle of works all for the twentieth century – to which we are no longer beholden, but to...

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Review: And the Horse You Rode In On, Barbican Centre

Posted on May 3, 2011 in Criticism | 0 comments

Published on Culture Wars, 03.05.2011 Screwball comedies aren’t renowned for their intertextuality. Mind you, it’s equally rare to...

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Review: Cleveland Street The Musical, Above the Stag Theatre

Posted on May 2, 2011 in Criticism | 0 comments

Published in Time Out, 28.04.2011 With the super-injunction, there’s no indiscretion that can’t be covered up with cash....

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