Theatre Critic and Journalist

Review: The Bomb: A Partial History, Tricycle Theatre

Posted on Feb 21, 2012 in Criticism | 0 comments

Published in Time Out, 20.02.2012 Talk about going out with a bang. Nicolas Kent’s final production as the Tricycle’s artistic...

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Review: A Midsummer Night’s Dream, Lyric Hammersmith

Posted on Feb 20, 2012 in Criticism | 0 comments

The first thing to say about Filter’s remixed Midsummer Night’s Dream – and it cannot be said too loudly or too often – is that it...

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Review: The Recruiting Officer, Donmar Warehouse

Posted on Feb 17, 2012 in Criticism | 0 comments

Published on Culture Wars, 22.02.2012 BRAZEN: “A privateer may be ill-manned.” PLUME: “And so may a playhouse.” Not this one....

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Capital Gains: A Response to Sam West & James Grieve

Posted on Feb 16, 2012 in Opinion | 0 comments

Published in The Stage,  16.02.2012 So Sam West would have us believe that talent agents are the scourge of regional theatre, withholding...

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Interview: Filter’s Ferdy Roberts & Oliver Dimsdale

Posted on Feb 16, 2012 in Profiles & Features | 0 comments

Written for The Stage No one has staged Twelfth Night’s midnight feast better than Filter Theatre. Half-hungover, half-drunk, Sir Andrew,...

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