Theatre Critic and Journalist

Review: Seven Day Drunk, Soho Theatre

Posted on Mar 22, 2012 in Criticism | 0 comments

Bryony Kimmings is an enigma. Her work comes encased with whopping great quotation marks around it. So many, in fact, that you lose track...

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London Calling: the capital’s touring circuit

Posted on Mar 22, 2012 in News | 0 comments

Published in The Stage, 22.03.2012 Last year, Will Adamsdale took his Perrier Award-winning Jackson’s Way to 26 different London venues...

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Review: Sweeney Todd, Adelphi Theatre

Posted on Mar 21, 2012 in Criticism | 0 comments

Popular culture’s serial killers rarely resemble their real-life counterparts. Generally, we get ripped rippers and ice-cool assassins...

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Review: Shivered, Southwark Playhouse

Posted on Mar 20, 2012 in Criticism | 1 comment

Philip Ridley’s plays are like staged graphic novels. His worlds are familiar, but fantastical: like life embossed or outlined in black...

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Review: Play House / Definitely the Bahamas, Orange Tree Theatre

Posted on Mar 19, 2012 in Criticism | 0 comments

Published on Culture Wars, 21.03.2012 In his twenties, Martin Crimp wrote Definitely the Bahamas about a couple in their fifties. Now, in...

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