Thoughts on London, Brighton Dome
Posted on Oct 31, 2012 in Criticism | 0 comments
Simon Stephens wrote Sea Wall and T5 independently of one another: the first for the Bush’s Broken Space season in 2008, the second had...
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Review: Dangerous Lady, Theatre Royal Stratford East
Posted on Oct 28, 2012 in Criticism | 0 comments
Published in Time Out, 26.10.2012 There’s enough plot in Dangerous Lady to warrant arrest under the Terrorism Act. It’s got births,...
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Review: 55 Days, Hampstead Theatre
Posted on Oct 25, 2012 in Best of (Left), Criticism | 0 comments
Published in The Financial Times, 25.10.2012 Howard Brenton has long raided history for its present-tense parallels and in England’s...
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Looking to the Future: Toni Racklin
Posted on Oct 25, 2012 in Profiles & Features | 0 comments
Published in The Stage, 25.10.2012 Think of the Barbican and you think of the world’s leading theatre makers. Since March, it’s hosted...
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Review: The Good Neighbour, Battersea Arts Centre
Posted on Oct 24, 2012 in Criticism | 0 comments
A friend told me recently about David Eagleman’s Sum, as a trade for my recommendation of Italo Calvino’s Invisible Cities. In it,...
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