Theatre Critic and Journalist


War on the Stage: The Trojan Women; Arab Nights

Posted on Nov 29, 2012 in Best of (Centre), Criticism | 0 comments

Published in The New Statesman, 29.11.2012 After the struggle, the struggle. War doesn’t end with armistice, nor revolutions with...

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Review: The Effect, National Theatre

Posted on Nov 26, 2012 in Criticism | 0 comments

Anyone writing drama about cutting-edge scientific research has a problem; namely, us. The idiots watching. For most of us, phrases like...

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Review: Medea, Richmond Theatre

Posted on Nov 26, 2012 in Criticism | 0 comments

Published on Culture Wars, 08.12.2012 Why does Medea go postal? Is it a) because her husband has eloped with a younger model and the...

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Not Quite of This World: Shôn Dale-Jones

Posted on Nov 22, 2012 in Profiles & Features | 0 comments

Published in The Stage, 22.11.2012 Who’s Hugh Hughes? Well, um, it’s complicated. You see, the puppyish emerging artist from Wales –...

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Review: The Promise, Donmar @ Trafalgar Studios

Posted on Nov 22, 2012 in Criticism | 1 comment

Published on Culture Wars, 8.12.2012 Leningrad, 1942. A city under siege, so starved that household pets and dead bodies will do for food....

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