Theatre Critic and Journalist

Criticism


Review: Made In Dagenham, Aldwych Theatre

Posted on Nov 6, 2014 in Criticism | 0 comments

Published in Variety, 06.11.2014 Made in Dagenham goes from zero to sixty in no time at all, motored mostly by laughs and tubthumping...

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Review: JOHN, National Theatre

Posted on Nov 5, 2014 in Criticism, Featured | 0 comments

Here’s a funny thing about theatre. Audiences have all the control. Whatever artists might choose to make, audiences choose what to see....

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Review: Are You With Us?, SPILL Festival

Posted on Nov 5, 2014 in Criticism, Featured | 0 comments

Were I ever to run away and join a circus, I would, without the slightest scrap of doubt, join Gob Squad. No other company in the world...

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Review: Coolatully, Finborough Theatre

Posted on Nov 2, 2014 in Criticism, Featured | 0 comments

Published in Time Out, 31.10.2014 There is a cardinal sin in theatre: being boring. It doesn’t matter how rich the writing, how...

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Review: Sunny Afternoon, Harold Pinter Theatre

Posted on Nov 2, 2014 in Criticism, Featured | 0 comments

Published in Variety, 29.10.2014 Charting the career of Ray Davies and the Kinks at their peak, “Sunny Afternoon” is a jukebox musical...

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Review: Wet House, Soho Theatre

Posted on Nov 2, 2014 in Criticism, Featured | 0 comments

Published in Time Out, 24.10.2014 Wet Houses are shelters for chronic alcoholics that allow their residents to drink as they please. Is...

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Review: The Hundred We Are, Yard Theatre

Posted on Nov 2, 2014 in Criticism | 0 comments

Published in Time Out, 17.10.2014 Forget the seven ages of man. Swedish playwright Jonas Hassen Khemiri presents the three ages of woman in...

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Review: The Distance, Orange Tree Theatre

Posted on Nov 2, 2014 in Criticism, Featured | 0 comments

Published in Time Out, 13.10.2014 Bea’s left her family. For good. In Melbourne. She didn’t fit in Down Under, she didn’t fully click...

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Review: Henry IV, Donmar Warehouse

Posted on Nov 2, 2014 in Criticism, Featured | 0 comments

Published in Variety, 10.10.2014 After her all-female “Julius Caesar” in 2012 set in a women’s prison — a production that launched...

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Review: Oh, I Can’t Be Bothered, Soho Theatre

Posted on Nov 2, 2014 in Criticism, Featured | 0 comments

Published in Time Out, 03.10.2014 One’s exotic: the sort of louche sophisticate who swishes through European cities and smokes thin...

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